In this artistic research project Lars Greve investigates the artistic potential of the relation between the solo jazz musician's improvisations, the concert room's acoustics and selected resonating artifacts.
Through resonance experiments and procedural concerts the research will hoist artistic, technological and methodological experiences to be reflected through 'critical listening' towards a final performance.
Follow the development of the project here.
The project ressults will be disseminated on intermedial platforms. Expected publication June 2020