10. Jan 2019
In Progress

What potential lies in the interferences between dissemination and performance, between retrospection and improvisation, between re-view and play? And how can these seemingly disparate fields be converged into a multi-layered, immersive experience where insights are not presented but played out, performed live, in sound, on video?

These are some of the core issues at work in the research practice of solo pianist, Søren Kjærgaard. who seeks to reposition the pianist in multiple locations: physically, sonically, visually, virtually.